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This piece is #3 in my Ecclesiastes 3 series wrapping up a very emotional year.

Titled “A Time to be Born”

This year has been a roller coaster of emotions for me. If you are a regular reader you know that I lost my big sister on Christmas day last year. So, even though I had planned to paint more paintings this year then ever before, turns out I have painted three. This season of painting has been filled with passion and raw emotion as I worked out the avalanche of emotions that were, and still are, churning around in my very soul as I allowed them to flow through me onto the canvas.

The first two paintings I have done in this series were working out my grief.Remembering tender moments and reliving old regrets. But #3 was going to be different.

In February, We found out that our son and his wife were expecting another baby. Our home was filled with joy again. This would be our 4th grandchild. Soon, though, that joy turned to worry as we got the news that the baby would have a 25% possibility of having Cystic Fibrosis. Months went by, waiting for news as Dr. visits  and check ups were scheduled, We found out the baby was a boy! Helping pick out names, counseling love and hope to our son and his wife as they worried, trying to be strong for them, feeling like a rag that had been rung out once to many times myself. Praise the Lord, the birth went amazingly well, and spirits and hopes were high, but after a few days it was evident that little man Kai was indeed sick with the dreaded disease. The roller coaster ride goes on still.

I decided to go on with my painting series. After all “to everything there is a season”, right? I decided to use my emotions artistically and focus on the positive. So about a month before Kai was born I started this painting. Using a reference photo of his older brother Grey taken by their aunt Naomi, I picked one that had the main focus on the connection of the hands and heart. It would be the companion piece to “The Last Goodbye.” and I wanted the emotional connection of the hands as well as a connection between the two pieces of art.

I started with a sketch up on canvas as I usually do, then quickly blocked in all the elements. In my typical way I adjusted the back ground several times and worked to keep the main focus on the hands not the baby’s face.

 

 

 

 

As I progressed, I felt something was wrong with the composition but couldn’t put my finger on it. So I walked away from it over night and when I had looked at it with fresh eyes I quickly realized that the mother’s thumb on the head was serving as a stop sign. So, It had to go. I fiddled with that hand and moved it several time before getting the thumb where I wanted it being the support for the head. fbsheet

Also around this point in the painting I switched from Acrylics to oils like I did with “The Last Goodbye” painting to get better blend ability.

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The idea in my head was to make the background for the baby the sheets, like in the companion piece. I was also planning on adding just a touch of the green, like in the hospital gown, for the babies diaper cover. But once it was painted in, I felt it was too cold and void of emotion and warmth. So to fix this problem I decided to switch the green to the background and the white sheet to cover the diaper and lower left hand corner of painting. Once this was done I was so pleased. The painting was now warm and full of life.

To me the green represents the LIFE in these two paintings. I “A Time to be Born” there is so much life to look forward to, and in “Last Goodbye” there is just a remnant of life left. I had accomplished telling the story.

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Part of my creative process is watching what happens as I paint and deciding where to go from there. As I progressed through this painting I was having difficulty with the hand that supports the baby’s head. Things that work ok in photographs do not always translate well into a painting. you see the ye is naturally drawn to the point in the painting with the greatest contrast. The mother’s pale hand against the dark hair and strong shadows of the baby’s head was creating it’s own focal point. This created a problem for me as the story I wanted to tell was to be told through the emotional connection of the hands. So I had to do a delicate dance of lowering the values of the hand and even graying it out some so that it would feel more like a background element, even though in reality it was the thing in the far most foreground. I needed to be there as part of the story, but I didn’t really need it as a main character.

At the same time I was dulling out the left hand, I was increasing the contrast and intensifying the color of the baby’s hand. I did this by adding glazes of a warm shadow color and adding more warm reds to the tips of the fingers, with reflected red light bouncing off of the mother’s fingers. I also added those same reds to the ear to give baby a nice health glow.47391629_218022855766036_7897445495763632128_n

A Time to be Born

11″x 14″ Oil on canvas

#3 of the Ecclesiastes 3 series By Jackie Little Miller

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I wonder what painting the Lord will have me work and FEEL my way though next. It has been therapeutic yet, painful. I love that it is taking my art up a level, but a little apprehensive of what might be next. I’m hoping for some laughter and dancing soon. LOL! But I know my God is faithful. I know that His plans for me are for good, His thoughts are of peace for me and not evil, to give me a future and a hope. And I will keep painting though what ever He brings my way next.

 

Thank you so much for stopping by and checking out my art process! To see more of my paintings check out jackielittlemiller.com

 

 

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